Dizgo & Underground Springhouse - Co-bill

“DIZGO has one of the most operative names in the jamband scene, evoking a transcendence of genre: a dizzier disco, filled with a hodge-podge of genres, styles, and technical influences while still, at it’s core, a dance party.” -> Space Tapes

Dizgo redefines the live experience by blending jamtronica with funk, deep-groove soul, and psychedelic rock, taking the audience on a musical journey that includes intricate compositions and extended improvisation. The result is something both danceable and introspective: soulful vocals, interweaving analog synths, and shredding guitar all which join forces under the banner of Dizgo.

The band has played stand out performances at festivals such as Peach Music Festival, Summer Camp Music Festival, Resonance Music Festival, Werk Out Music Festival, Sonic Bloom Music Festival, and much more and has supported acts such as Goose, Pigeons Playing Ping Pong, Papadosio, The Main Squeeze, Aqueous, Lespecial, and more.

“More of the good, less of the bad.” That’s the motto upon which Underground Springhouse have built their sound and style. Exploring reggae, country, and funk influences within a rock ‘n roll context, Springhouse has crafted a genre-bending catalog that takes listeners from beaches to back roads with ear-worm hooks and head-bobbing grooves.       

Their debut single, “Joyfell” (2018), has caught the ears of listeners around the country, galvanizing the band to become the touring and recording machine that they are today. Springhouse has since released a full length album, “Underground Springhouse” (2021), and two EPs, “Tom Foolery” (2019) and “I Recall” (2023), as well as a number of one-off singles. Their most recent EP, “I Recall,” features five new songs and showcases the band’s honing of their songwriting craft. On certain tracks the group explores newer influences like bluegrass and Americana, while on others they expand on more familiar styles like reggae and funk. All the while, the band stays true to their motto and their sound by including sing-along choruses and dance-worthy rhythms across the EP.

The band’s consistent recording output and dedicated touring schedule have helped grow their audience from a college town phenomenon into a frenetic mass of music lovers, particularly in the Southeast and along the East Coast, where Springhouse has headlined such venues as Athens’ Georgia Theatre, DC’s 9:30 Club, Nashville’s Exit/In, Birmingham’s Avondale Brewing, New York’s Brooklyn Bowl, Asheville’s Salvage Station, and Atlanta’s Terminal West. Fans should expect the unexpected at a Springhouse concert as no two shows look the same. The band’s fondness for improvisation and segues, and use of mashups and surprise covers make each show a unique experience, and keep fans coming back night after night.       

Members Charlie Haas (guitar/vocals), Jackson Thompson (bass/vocals), Max Motley (keyboard/vocals) & Mitch Davidson (guitar/vocals) met in Athens, Georgia while students at the University of Georgia. Underground Springhouse is a product of Athens’ renowned music scene, slowly evolving as the group grew from a dorm room project into the polished outfit they are today.